With Hanbleceya – 'imploring the dream' –, Zad Moultaka looks to an Amerindian initiation rite, the climax of the Lakota Sioux's spiritual evolution. The journey, the progression, and even physical violence are the means for achieving 'another vision'. The universe created by dances, the climate and energy direct the writing. As for the Swede Lisa Streich (1985), she invites us to look beyond the 60th parallel. It is said that rings of mushrooms appear there where elves have danced. Älv Alv Alva is a fleeting, dreamlike piece of music. On the other hand, the English woman Joanna Bailie (1973) stares intensely at our cities and their noises, making the optical test of transcribing an electronic original for instruments. It is in a mixed space that the French composer Clara Maïda (1963) and American designer Jenny E. Sabin weave the threads of a virtual web, both sound and visual, through the interaction between instruments, electronics and 3D video.
Duration / 1 h 00
Production 2e2m / Coproduction La Muse en Circuit, Centre national de création musicale.
With the support of CRR de Paris.
Concert recorded by France Musique.
Lisa Streich
Älv Alv Alva
french premiere
ensemble
Joanna Bailie
Symphony-Street-Souvenir
world premiere of the new version
ensemble and recording
Clara Maïda / Jenny E. Sabin
Web studies
world premiere / with the support for writing new original musical works
piano, harp, violin, viola, electroacoustic and 3D video
Festival Ensemble(s) • opening night
Bagnolet
Festival Ensemble(s) • Trajectoire(s)
Bagnolet
COUR & JARDIN • Trio 2E
Champigny-sur-Marne
Legal notes ©2e2m 2014